My obsession with curves shows no sign of abating. Fortunately, there's a good chance I can harness that energy towards at least one of my life goals. I'm now seriously exploring the possibility of doing a "small but beautiful" PhD thesis on smooth interpolating splines, with Carlo Sequín at Berkeley.
I still feel the trust metric work is valuable, but emotionally it's very difficult for me to stay motivated. Among other things, it's very difficult to explain that work to others, much less convince them that it's worthwhile.
Meanwhile, I now have a rough interactive app for drawing with Cornu splines. Take a look at a screenshot, or try building from source (libart and Gtk1). It's not optimized for speed, and it's not yet numerically robust, but you can get a pretty good sense of how it's going to work. I drew the letter R freehand, without even looking at a reference image. I think it turned out fairly well, and the relation between the point placement and the resulting curve felt quite a bit more intuitive than Bezier editors I've used.
IKARUS' circle fitting method is actually well damped, and behaves much more like the second example (as does METAFONT's IIRC).
Metafont I'm very, very familiar with. The technique I use (solving for curvature continuity at knot points) is directly adapted from Hobby's Metafont work, and from what I've seen so far, the numerical behavior of the Cornu spiral segments resembles Hobby's cubic Beziers fairly strongly. Obviously I need to study the Ikarus book, but my feeling is that if it's damped the same way as Metafont and the example I posted, it can't be based on rigid circular arcs.
I'm willing to tolerate a significantly larger number of primitives in this internal representation than either input through the UI or exported into a font file format after all manipulations have been done
Doesn't this have some major implications for hinting? I get the impression from FontFocus that stroke-oriented hinting is still a favoured approach.
Ordinarily it would, but I think traditional hinting is becoming obsolete. You really don't need it at all for printing as resolution is going through the roof. FontFocus doesn't care at all about the underlying geometric primitive, because it doesn't distort the curves at all (it works by tweaking spacing and scaling in the x direction).
Ankh wrote: (good to hook up with you again, btw!)
I'm reminded that the Folio/F3 system by (I think) Jakob Valdez added conic sections to PostScript's primitives, which is why NeWS, which used F3 fonts, had an extra codeblock argument to "pathforall". The F3 font hinter had an excellent reputation, anf F3 fonts were typically smaller than TrueType for a roughly comparable (hard to measure) quality. Sorry if this is off-topic, I haven't been following Advogato after it went off-line for a while.
Not at all off-topic. I'm releasing all my curve code as GPL, and there's a chance some of it will hybridize with potrace. In any case, to the extent that Folio/F3 is an improvement over TrueType or Type 1, I am very optimistic that splines made from Cornu spiral segments will turn out to be even more of an improvement. Right now, that's a gut feeling, but if I do my thesis on it, I expect to be able to show it definitively, using both analytical and aesthetic arguments.
I have a bunch of fonts in the pipeline, and finally got around to making a page so you can view the progress. In most cases I've posted FontForge files as well. The one major exception is Centaur (Museum), which I'm unsure exactly how to handle. One idea I'm toying with is approaching Agfa/Monotype (holder of the Centaur trademark) and propose doing an authorized "pro" version of the font.
There's not much community support for free font development. On the typophile boards I get a strong sense that freeware fonts mostly just poison the well for type designers trying to make some money for what they do. I'm not sure whether it's better to go with the flow, or try to be a crusader for the cause of free fonts. Certainly, a webpage for free fonts (with nice organization, "test drive", and other features common to commercial font sites), but with forums and other features geared towards supporting free font developers, rather than merely exploiting their work, would be a great step in that direction. But I don't think I'm the right person to create such a site; there are lots of people who have the skills needed.
mathrick: yes, I agree that real UTF8 support is worthwhile. It shouldn't be that hard to add - mostly just need to tweak the code to transcode Latin1 to UTF8 when it reads in legacy XML files. Not sure when I'll get time to work on it, but in the meantime I would accept a patch :)