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"I shall come back" by Dorothy Parker

[death]
I SHALL COME BACK
by Dorothy Parker
 
I shall come back without fanfaronade
of wailing wind and graveyard panoply;
but, trembling, slip from cool Eternity —
a mild and most bewildered little shade.
I shall not make sepulchral midnight raid,
but softly come where I had longed to be
in April twilight's unsung melody,
and I, not you, shall be the one afraid.
Strange, that from lovely dreamings of the dead
I shall come back to you, who hurt me most.
You may not feel my hand upon your head,
I'll be so new and inexpert a ghost.
Perhaps you will not know that I am near —
and that will break my ghostly heart, my dear.
 
http://i.imgur.com/dSIcrykl.jpg
 

This entry was originally posted at http://marnanel.dreamwidth.org/366517.html. Please comment there using OpenID.

Syndicated 2016-04-23 00:03:44 from Monument

REVEALED: Corbyn's links to apple thieves

REVEALED: Corbyn"s links to apple thieves

REVEALED: Corbyn's links to apple thieves
• Caused original sin
• Family held apple shares
• Responsible for fall

Jeremy Corbyn is descended from notorious apple thieves Adam and Eve, the Telegraph can reveal.

Speaking today on condition of anonymity, a senior Labour backstabberbencher. told of his shock at the hypocrisy.

“Adam dared to question the ways of God. Clearly that was only the start, since Corbyn has now dared to question the Prime Minister's tax returns.

“And don't forget, as soon as she ate the apple, Eve learned that she was naked, and hid herself. In all the years Corbyn has been a member of Parliament, I have never seen him naked. What does he have to hide?”

At press time, God was unavailable for comment. (cont. Genesis 94)

This entry was originally posted at http://marnanel.dreamwidth.org/365879.html. Please comment there using OpenID.

Syndicated 2016-04-14 01:03:28 (Updated 2016-04-14 01:06:27) from Monument

What the bikers said in "The Ogre Downstairs"

In Diana Wynne Jones's book "The Ogre Downstairs", there's a scene where some menacing bikers grow out of the ground like plants. Their speech is colloquial English, but written in Greek script. Some people have asked for a transcription, so here it is. I've avoided trying to represent their accent in the English text, so I've put "them" for "'em" and so on. The typesetters for some editions of the book seem not to have understood the joke; in my copy (HarperCollins, 2010) capital lambda is written as a section mark, and capital beta as a comma. I've seen editions with even stranger substitutions.

They stared at the buried man in some perplexity, wondering how he got there and whether to help him out. While they stared, the face shook its chin free of sand and stones and spoke.

“ν θε λιδαγειν ᾿ανσε υοτιωγετ!!” it said. ["...n the lid again and see what you get!" - I think some text from the MS might have been lost here?]

“What language is that?” said Johnny.

“It might be Greek,” Douglas guessed, equally mystified.

A clattering of gravel made them look up. The other mushrooms, up and down the lane between the cars, had also grown into men in crash helmets. The next nearest was now only buried from the waist downward. He had his hands on the gravel and was levering to get his legs free. Beyond him, a number had grown to full height and were stepping up onto the ground, shaking their boots. They were all identically dressed in black leather motorcycle suits and white crash helmets, and they all had most unpleasant faces.

With one accord, Douglas and Johnny looked round to see how near the car was. It was twenty yards off. Between them and it, the lane was filled with motorcyclists stepping free of the ground and moving menacingly down toward them.

“I don’t like the look of this,” said Douglas. “And don’t tell me it’s my fault. I know.”

The nearest man struggled up from the earth and shook himself. Stones clattered from his leather clothes and mud spattered the boys. Carefully he drew his boot from the last of the gravel and walked a step or so toward them.

"Θιωκ ᾿ιυ κνιτ φελλως ᾿ον Θε εδ δουιου?" he demanded of Douglas. ["Think you can hit fellas on the head, do you?"]

“I’m sorry. I don’t understand,” Douglas said.

The man looked round at the other motorcyclists.

"Θης κιζ τραιδ του θυμπ μι, φελλως!" he said angrily. ["These kids tried to thump me, fellas!"]

From the way the others reacted, it was clear that, whatever this meant, it meant no good for Johnny and Douglas. They all gave the boys most unpleasant, blank looks and strolled nearer. "'Ωκει, λετς τεικ βωθοφεμ ᾿απαρτ ᾿αβιτ" ["Okay, let's take both of them apart a bit"] said one. And one who was still only half out of the ground added "Λετμε ᾿αττεμ." ["Let me at them"] Neither of these suggestions sounded pleasant. Johnny looked despairingly round what he could see of the car-park between the advancing leather suits. He found nothing but cars, lines of them, locked, silent and deserted. There did not seem to be another soul in sight.

“Get back to back,” said Douglas. “Use the mop on them.”

Johnny at once scrambled round Douglas and leaned against his back. He held the dustbin lid as a genuine shield, and put the head of the mop under one arm, with the stick pointing outward toward what was now a circle of menacing motorcyclists. Behind him, he heard the clang of the strawberry soap rolling in the dustbin as Douglas raised that for a shield and leveled the broom. Johnny was glad that he had such a tall back as Douglas’s to stand against. If it had been Caspar’s or Malcolm’s back, he would have felt a great deal more frightened. Not that their defenses seemed to impress the motorcyclists. Some laughed jeeringly. One said, "Φυλλα σπιριτ, 'αρυντθει?" ["Full of spirit, aren't they?"] which was clearly a sarcastic remark of some kind, and all of them laughed. Then the first of them said, "Λετσγω, φελλως." ["Let's go, fellas."] And they closed in.
This entry was originally posted at http://marnanel.dreamwidth.org/365349.html. Please comment there using OpenID.

Syndicated 2016-04-07 22:25:27 from Monument

jaggery

Marn: I had to look up some of the things on the ingredients list. Did you know what jaggery is?
Kit: Spelt?
Marn: No, it's cane sugar.
Kit: I see what happened there-- I meant, "how is it spelt?"
Marn: Ohhh.

This entry was originally posted at http://marnanel.dreamwidth.org/365055.html. Please comment there using OpenID.

Syndicated 2016-03-31 12:27:20 from Monument

Fifty (questionable) writing tips

Marginalia scribbled while reading an article called "50 Writing Tips from my 15 Years as an Author":

One of the questions I’m asked on a daily basis is some form of, “I want to become an author. Can you help?”
-- Sure. Sit down and WRITE THE DAMN STORY.

2. Writing a book is a wonderful gift to leave your children and a way to ensure your legacy.
-- Here's your mother's last will and testament. It says... "Hey kids, I wrote a book once."

3. The root of “authority” is author; nothing will do more for your business or career than writing a non-fiction book.
-- Okay, I'll write a book about the etymological fallacy.

5. If you have ever given someone advice that they have found helpful, you can write a non-fiction book.
-- But have you stopped to consider whether you should?

7. If you’ve ever told your friends a story that made them laugh, cry, or say, “So what did you do?” or “No way!” you can write a novel.
-- Especially if your stories last a day and a half. But you might have trouble getting your friends to beta read.

8. If you can speak you can write; you don’t need to have done well in English class—or even in school—to be a writer.
-- That explains a lot about the stuff you find in bookshops.

9. “I want to write a book, I just don’t know what to write about.” Well, you clearly need to get a life, or at least read more.
-- Kudos for this one, though. More lists should tell the reader to get a life.

10. “I have a great idea for a book, but just don’t have the time to write it.” Oh, why didn’t you say so? Want to borrow my magical author-time-machine? It’s right over here…all writers have one. We call it the shut-off-the-TV-stop-posting-on-Facebook-and-get-your-butt-out-of-bed-at-5-in-the-morning device. Doesn’t even need batteries.
-- Really? Who stole *my* "get out of bed at 5am" device? Though after a few days of that, you'll be needing the batteries.

11. “But my grammar and spelling is horrible.” Fine, write a horrible book and hire an editor to clean it up.
-- "But my bank balance is horrible." Tough.

12. Write your book for a single person.
-- Especially if it's called something like "How to find a girlfriend."

13. Spend a ridiculous amount of time coming up with an “avatar” for your ideal reader, or spend one minute picking someone you actually know in the real world and write it for her.
-- Better, spend a ridiculous amount of time WRITING THE DAMN STORY.

21. The seventh most important variable in the success of a book is the quality of your writing.
-- That explains a *lot* about the stuff you find in bookshops.

24. Social media is a great way to connect with influencers.
-- So turn that "get off Facebook" machine back off again, okay?

26. The only book marketing expenditure that actually has a positive ROI (i.e., doesn’t just build awareness but actually moves books) is paying for placement in airport bookstores or display tables in Barnes & Noble. Oh, and sometimes Facebook ads.
-- "But my bank balance is horrible." Tough.

27. Readers are fascinated by authors; remember in the midst of your poverty and despair you actually have fans.
-- "But my bank balance is...." wait, poverty and despair?

28. For non-fiction, your fans want to know your zero-to-hero story.
-- Anyone can write, as long as they have an inspiring and successful life.

29. For fiction, your fans want to know about your (idealized) lifestyle and creative techniques.
-- They don't give a damn about my lifestyle. They want to READ THE DAMN STORY.

30. New authors should spend more time building their tribe than actually writing. (Yes, reality stinks.)
-- Put off writing the book for as long as possible.

33. Many authors supplement their royalties with income from speeches, courses, coaching, teaching and consulting. (Yes, again, reality stinks.)
-- Or, in the real world, by having a day job.

34. Most successful authors are prolific—they write one or more books each year.
-- Thank you, Captain Obvious.

35. Most successful authors slay the same dragon over and over again. (Lee Child has written 20 Jack Reacher novels; John Maxwell has written over 50 leadership books.)
-- It gets pretty easy when you can write your book with Word's mail merge function.

38. “Is it better to be a Pantser or a Plotter?” Shut up, stop procrastinating and get back to writing.
-- Whether you should prepare or start writing straight away was exactly what the question was about, you berk.

40. Writer’s block is laziness or lack of preparation.
-- You JUST SAID that preparation was a kind of procrastination. You berk.

41. If you have “writer’s block” try speaking your book into a microphone and have it transcribed; have you ever had speaker’s block? Didn’t think so.
-- Ever been lost for words? Didn't think so. (Also, "have it transcribed", but my bank balance is horrible...)

42. Pictures, illustrations or doodles immediately make your book stand out from the competition.
-- True! These are the first ones the publishers notice, and they have a special round file for them.

49. Write drunk; edit sober.
-- Let's say you can write 1000 good words every day. You're going to be drunk every night for two months. After that it'll be difficult to do any editing.

50. Life is about making an impact, not an income. And writers who know what they’re doing make both.
-- It's true, they do make both. Just not much of either. This entry was originally posted at http://marnanel.dreamwidth.org/363994.html. Please comment there using OpenID.

Syndicated 2016-03-25 21:47:02 from Monument

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