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Name: Luis Villa
Member since: 1999-11-09
Last Login: 2008-07-15 03:49:38

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Homepage: http://tieguy.org/

Notes:

A former maintainer of legOS, I'm now actively involved in GNOME as bugmaster and release team member. I haven't updated my advo page since advo was in beta; please don't expect that to change drastically. :)

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Free-riding and copyleft in cultural commons like Flickr

Flickr recently started selling prints of Creative Commons Attribution-Share Alike photos without sharing any of the revenue with the original photographers. When people were surprised, Flickr said “if you don’t want commercial use, switch the photo to CC non-commercial”.

This seems to have mostly caused two reactions:

  1. This is horrible! Creative Commons is horrible!”
  2. “Commercial reuse is explicitly part of the license; I don’t understand the anger.”

I think it makes sense to examine some of the assumptions those users (and many license authors) may have had, and what that tells us about license choice and design going forward.

Free ride!!, by https://www.flickr.com/photos/dhinakaran/
Free ride!!, by Dhinakaran Gajavarathan, under CC BY 2.0

Free riding is why we share-alike…

As I’ve explained before here, a major reason why people choose copyleft/share-alike licenses is to prevent free rider problems: they are OK with you using their thing, but they want the license to nudge (or push) you in the direction of sharing back/collaborating with them in the future. To quote Elinor Ostrom, who won a Nobel for her research on how commons are managed in the wild, “[i]n all recorded, long surviving, self-organized resource governance regimes, participants invest resources in monitoring the actions of each other so as to reduce the probability of free riding.” (emphasis added)

… but share-alike is not always enough

Copyleft is one of our mechanisms for this in our commons, but it isn’t enough. I think experience in free/open/libre software shows that free rider problems are best prevented when three conditions are present:

  • The work being created is genuinely collaborative — i.e., many authors who contribute similarly to the work. This reduces the cost of free riding to any one author. It also makes it more understandable/tolerable when a re-user fails to compensate specific authors, since there is so much practical difficulty for even a good-faith reuser to evaluate who should get paid and contact them.
  • There is a long-term cost to not contributing back to the parent project. In the case of Linux and many large software projects, this long-term cost is about maintenance and security: if you’re not working with upstream, you’re not going to get the benefit of new fixes, and will pay a cost in backporting security fixes.
  • The license triggers share-alike obligations for common use cases. The copyleft doesn’t need to perfectly capture all use cases. But if at least some high-profile use cases require sharing back, that helps discipline other users by making them think more carefully about their obligations (both legal and social/organizational).

Alternately, you may be able to avoid damage from free rider problems by taking the Apache/BSD approach: genuinely, deeply educating contributors, before they contribute, that they should only contribute if they are OK with a high level of free riding. It is hard to see how this can work in a situation like Flickr’s, because contributors don’t have extensive community contact.1

The most important takeaway from this list is that if you want to prevent free riding in a community-production project, the license can’t do all the work itself — other frictions that somewhat slow reuse should be present. (In fact, my first draft of this list didn’t mention the license at all — just the first two points.)

Flickr is practically designed for free riding

Flickr fails on all the points I’ve listed above — it has no frictions that might discourage free riding.

  • The community doesn’t collaborate on the works. This makes the selling a deeply personal, “expensive” thing for any author who sees their photo for sale. It is very easy for each of them to find their specific materials being reused, and see a specific price being charged by Yahoo that they’d like to see a slice of.
  • There is no cost to re-users who don’t contribute back to the author—the photo will never develop security problems, or get less useful with time.
  • The share-alike doesn’t kick in for virtually any reuses, encouraging Yahoo to look at the relationship as a purely legal one, and encouraging them to forget about the other relationships they have with Flickr users.
  • There is no community education about the expectations for commercial use, so many people don’t fully understand the licenses they’re using.

So what does this mean?

This has already gone on too long, but a quick thought: what this suggests is that if you have a community dedicated to creating a cultural commons, it needs some features that discourage free riding — and critically, mere copyleft licensing might not be good enough, because of the nature of most production of commons of cultural works. In Flickr’s case, maybe this should simply have included not doing this, or making some sort of financial arrangement despite what was legally permissible; for other communities and other circumstances other solutions to the free-rider problem may make sense too.

And I think this argues for consideration of non-commercial licenses in some circumstances as well. This doesn’t make non-commercial licenses more palatable, but since commercial free riding is typically people’s biggest concern, and other tools may not be available, it is entirely possible it should be considered more seriously than free and open source software dogma might have you believe.

  1. It is open to discussion, I think, whether this works in Wikimedia Commons, and how it can be scaled as Commons grows.

Syndicated 2014-12-02 16:14:16 from Luis Villa » Blog

Understanding Wikimedia, or, the Heavy Metal Umlaut, one decade on

It has been nearly a full decade since Jon Udell’s classic screencast about Wikipedia’s article on the Heavy Metal Umlaut (current textJan. 2005). In this post, written for Paul Jones’ “living and working online” class, I’d like to use the last decade’s changes to the article to illustrate some points about the modern Wikipedia.1

Measuring change

At the end of 2004, the article had been edited 294 times. As we approach the end of 2014, it has now been edited 1,908 times by 1,174 editors.2

This graph shows the number of edits by year – the blue bar is the overall number of edits in each year; the dotted line is the overall length of the article (which has remained roughly constant since a large pruning of band examples in 2007).

Edits-by-year

 

The dropoff in edits is not unusual — it reflects both a mature article (there isn’t that much more you can write about metal umlauts!) and an overall slowing in edits in English Wikipedia (from a peak of about 300,000 edits/day in 2007 to about 150,000 edits/day now).3

The overall edit count — 2000 edits, 1000 editors — can be hard to get your head around, especially if you write for a living. Implications include:

  • Style is hard. Getting this many authors on the same page, stylistically, is extremely difficult, and it shows in inconsistencies small and large. If not for the deeply acculturated Encyclopedic Style we all have in our heads, I suspect it would be borderline impossible.
  • Most people are good, most of the time. Something like 3% of edits are “reverted”; i.e., about 97% of edits are positive steps forward in some way, shape, or form, even if imperfect. This is, I think, perhaps the single most amazing fact to come out of the Wikimedia experiment. (We reflect and protect this behavior in one of our guidelines, where we recommend that all editors Assume Good Faith.)

The name change, tools, and norms

In December 2008, the article lost the “heavy” from its name and became, simply, “metal umlaut” (explanation, aka “edit summary“, highlighted in yellow):

Name change

A few take aways:

  • Talk pages: The screencast explained one key tool for understanding a Wikipedia article – the page history. This edit summary makes reference to another key tool – the talk page. Every Wikipedia article has a talk page, where people can discuss the article, propose changes, etc.. In this case, this user discussed the change (in November) and then made the change in December. If you’re reporting on an article for some reason, make sure to dig into the talk page to fully understand what is going on.
  • Sources: The user justifies the name change by reference to sources. You’ll find little reference to them in 2005, but by 2008, finding an old source using a different term is now sufficient rationale to rename the entire page. Relatedly…
  • Footnotes: In 2008, there was talk of sources, but still no footnotes. (Compare the story about Motley Crue in Germany in 2005 and now.) The emphasis on foonotes (and the ubiquitous “citation needed”) was still a growing thing. In fact, when Jon did his screencast in January 2005, the standardized/much-parodied way of saying “citation needed” did not yet exist, and would not until June of that year! (It is now used in a quarter of a million English Wikipedia pages.) Of course, the requirement to add footnotes (and our baroque way of doing so) may also explain some of the decline in editing in the graphs above.

Images, risk aversion, and boldness

Another highly visible change is to the Motörhead art, which was removed in November 2011 and replaced with a Mötley Crüe image in September 2013. The addition and removal present quite a contrast. The removal is explained like this:

remove File:Motorhead.jpg; no fair use rationale provided on the image description page as described at WP:NFCC content criteria 10c

This is clear as mud, combining legal issues (“no fair use rationale”) with Wikipedian jargon (“WP:NFCC content criteria 10c”). To translate it: the editor felt that the “non-free content” rules (abbreviated WP:NFCC) prohibited copyright content unless there was a strong explanation of why the content might be permitted under fair use.

This is both great, and sad: as a lawyer, I’m very happy that the community is pre-emptively trying to Do The Right Thing and take down content that could cause problems in the future. At the same time, it is sad that the editors involved did not try to provide the missing fair use rationale themselves. Worse, a rationale was added to the image shortly thereafter, but the image was never added back to the article.

So where did the new image come from? Simply:

boldly adding image to lead

“boldly” here links to another core guideline: “be bold”. Because we can always undo mistakes, as the original screencast showed about spam, it is best, on balance, to move forward quickly. This is in stark contrast to traditional publishing, which has to live with printed mistakes for a long time and so places heavy emphasis on Getting It Right The First Time.

In brief

There are a few other changes worth pointing out, even in a necessarily brief summary like this one.

  • Wikipedia as a reference: At one point, in discussing whether or not to use the phrase “heavy metal umlaut” instead of “metal umlaut”, an editor makes the point that Google has many search results for “heavy metal umlaut”, and another editor points out that all of those search results refer to Wikipedia. In other words, unlike in 2005, Wikipedia is now so popular, and so widely referenced, that editors must be careful not to (indirectly) be citing Wikipedia itself as the source of a fact. This is a good problem to have—but a challenge for careful authors nevertheless.
  • Bots: Careful readers of the revision history will note edits by “ClueBot NG“. Vandalism of the sort noted by Jon Udell has not gone away, but it now is often removed even faster with the aid of software tools developed by volunteers. This is part of a general trend towards software-assisted editing of the encyclopedia.NoSwagForYou
  • Translations: The left hand side of the article shows that it is in something like 14 languages, including a few that use umlauts unironically. This is not useful for this article, but for more important topics, it is always interesting to compare the perspective of authors in different languages.Languages

I look forward to discussing all of these with the class, and to any suggestions from more experienced Wikipedians for other lessons from this article that could be showcased, either in the class or (if I ever get to it) in a one-decade anniversary screencast. :)

  1. I still haven’t found a decent screencasting tool that I like, so I won’t do proper homage to the original—sorry Jon!
  2. Numbers courtesy X’s edit counter.
  3. It is important, when looking at Wikipedia statistics, to distinguish between stats about Wikipedia in English, and Wikipedia globally — numbers and trends will differ vastly between the two.

Syndicated 2014-10-29 06:02:27 from Luis Villa » Blog

My Wikimania 2014 talks

Primarily what I did during Wikimania was chew on pens.

Discussing Fluid Lobbying at Wikimania 2014, by  Sebastiaan ter Burg, under CC BY 2.0
Discussing Fluid Lobbying at Wikimania 2014, by Sebastiaan ter Burg, under CC BY 2.0

However, I also gave some talks.

The first one was on Creative Commons 4.0, with Kat Walsh. While targeted at Wikimedians, this may be of interest to others who want to learn about CC 4.0 as well.